"Concrete gets a hard time of it,” says architect Nick Tobias, no pun intended. “People think it’s cold and austere – but in fact, just like any other material it can be warm, sensual, inviting.”
Melbourne's Pentridge Prison, once home to Ned Kelly and Mark "Chopper" Read, is set to become a hotel, offering guests the chance to stay in a converted prison cell.
The future of multi-residential development is locally focused and socially sustainable. With collective experience of successful high-density living gleaned from time spent in Europe, and an intimate knowledge of the area, 122 Roseneath Street presents a shift in the role of the architect as developer.
“We’ve done funky shapes, and we can do that forever, but I think there are some real gains to be made in finding and developing the right materials for the job.” In 2001, Toby Whitfield and Jaime Marina founded the composites manufacturing company, mouldCAM.
The 2016 Think Brick Award winners have been announced, with Freadman White, Iredale Pedersen Hook, Harmer Architecture, Turf Design Studio, and Genesin Studio all taking out prizes.
ThomsonAdsett’s director, Peter C. Lippman, is an educational facility planner, author, and researcher well regarded for his international expertise in education design. Here, Lippman shares his insights into the trends that will continue to shape the design of schools in years to come.
At All Hallows’ School, Wilson Architects has formed a forward-thinking place to support learning within a city context, projecting the shape of things to come in Australian education.
Lyons and m3architecture have won a competition to design the Sustainable Futures Building at the University of Queensland, St Lucia campus.
Working designs for the largest ever series of upgrades to the venue have been released, including a redevelopment of the concert hall and the construction of a learning space for children and young people.
BVN's newly-designed chapel, The Sanctuary, features a one-of-a-kind sliding glass façade made up of three curved glass panes which form a floor-to-ceiling window – and can be raised and lowered by synchronised electric actuators.
Hadid rejected postmodernism’s pastiche of architectural styles, instead claiming that modernism was an unfinished project – a vision that was explored in her work in the performing arts sector, including the Guangzhou Opera House (2003–10) and the Heydar Aliyev Centre (2007–12).
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