A piece from one of ADR’s contributing online editorial assistants where the author attempts to find the line of separation between art and architecture using Stephen Bram’s latest project as an example.
It includes a series of ‘exhibitions within the exhibition’ and aims to celebrate new works from various disciplines, including art, architecture, design, performance and cultural practice.
While some chairs from the new collection are layered with two different woodgrain patterns, others reflect enlarged, abstracted woodgrain patterns mixed onto the existing design.
This article is the next in line from one of our newly appointed contributing online editorial assistants and reviews Sydney’s Art Month, observing the Pechua Kucha style presentations of notable Sydney practitioners.