Australian textiles and wall-coverings specialists Materialised have released a collection of printed acoustic panels for a range of styles and settings, including designs from local artists.

Render of AcoustiCalm Strand Bondi panel by Materialised

After 45 years in the contract furnishings industry, Materialised remains curious, which has been key to delivering innovative and fit-for-purpose solutions for architects and designers. 

“Our approach to design is all about embracing possibility,” explains head of creative and design Chloe Rose.

“We don’t limit ourselves to one look or feel – and with the breadth of sectors we work across, we don’t have to. From retirement living and healthcare to boutique hotels and schools, we have the opportunity to explore an exciting spectrum of design, colour, style, texture and materials.”

Materialised’s new AcoustiCalm collection is a pure expression of this design ethos. 

Available in a wide selection of colourways, textures and finishes, AcoustiCalm features exclusive patterns made in collaboration with artists or in-house designers.

Render of AcoustiCalm Fold Ash panel by Materialised

“While it might sound like a vibrant, eclectic bazaar, there’s intention and purpose behind every choice. The variety of prints, substrates, applications and sectors gives us a limitless palette to work from, allowing us to create unique, tailored solutions every time,” Rose says.

A new canvas for artistic expression

Historically, interior designers haven’t had much choice for pattern when it comes to acoustic panels. What sets the AcoustiCalm range apart is the exclusivity of each design.

“These creations are one-of-a-kind, developed in collaboration with talented artists and inspired by unique stories,” Rose says. “You won’t find these designs anywhere else in the market, making them truly special and unmatched.”

Render of AcoustiCalm Marrunga Yubaa Desert panel by Materialised

When selecting artists to collaborate with, Materialised seeks out artists who have a strong, confident style and a clear sense of story.

“Their work is instantly recognisable. It has its own personality, and you can tell exactly who’s behind it,” she says. “They’re not necessarily following trends or imitating others; they stay true to their own creative handwriting.”

Render of Acousticalm Topography Dune panel by Materialised

One of the first specifiers of AcoustiCalm – Gabbert Design director Sandra Gabbert  –  wanted to incorporate the distinctive patterns from Patricia Braune’s Sanctuary Lines collection onto acoustic panels at the dual office space for Infrastructure Northern Territory and the Department of Infrastructure, Planning and Logistics.

“Acoustic panels are predominantly available in plain or etched finishes. Recognising the opportunity to elevate the design, I reached out to Materialised,” she says.

“I was able to seamlessly integrate these striking designs across multiple surfaces, including acoustic panels, wall vinyl and fabrics, to create a cohesive aesthetic that enhances both the functionality and visual appeal of the space,” Gabbert says. “This collaboration not only pushed the boundaries of material application but also allowed for a more nuanced and dynamic design solution, marrying acoustical performance with artistic expression.”

While Rose says she feels lucky to collaborate with talented external designers at Materialised, she also loves working with their in-house designers and artists. 

“It’s not just about one person’s vision; it’s a shared process of exploring, experimenting and bringing out the best in each other to create something truly meaningful,” she says.

Render of AcoustiCalm Island Frond Sand panel by Materialised

Combining visual appeal with noise control

Materialised has designed AcoustiCalm to absorb sound in a range of settings. They are equally fit-for-purpose in open-plan offices where noise levels and privacy are a major concern as in hospitality projects that seek to safeguard atmosphere without compromising the overall artistic vision.

AcoustiCalm panels are also invaluable in managing sound in hospitals and clinics, adds Materialised head of marketing and sustainability, Catherine McGowan.

“In healthcare, a calm and quiet atmosphere is crucial for both patients and staff. Excessive noise can increase stress levels, disrupt sleep, and negatively impact the healing process,” she says. “The printed designs offer additional benefits by enhancing patient areas with soothing patterns or calming colours.” 

Render of AcoustiCalm Herringbone Daintree panel by Materialised

A sound approach to sustainability

Alongside the ever-important functions of aesthetics and performance, Materialised “earnestly and constantly” endeavours to tread lightly on the planet, says McGowan.

“At Materialised, sustainability is embedded in every facet of our operations. From advanced printing technology that minimises water usage, to the use of FSC-certified print transfer paper and low-VOC, Greenguard Gold certified inks, we are committed to reducing our environmental footprint,” she tells Australian Design Review. 

Render of AcoustiCalm Herringbone Granite panel by Materialised

Materialised has partnered with TRAKS to recycle its acoustic offcuts and offer a take-back program for any used panels or samples that are free from contamination such as glue or plasterboard. 

“When clients wish to remove their acoustic panels – perhaps to update their design – any uncontaminated panels can be returned to Materialised in Sydney. Here, they are cut into smaller pieces and sent to the TRAKS depot, where they are recycled into felt,” McGowan says.

One way to avoid contamination is by relying on  thoughtful installation methods such as using the panels as office station partitions.

In addition, Materialised collects all its offcuts and test samples and sends them to TRAKS for recycling as part of its commitment to responsible waste management.

AcoustiCalm samples by Materialised

An easy process for interior designers 

With 45 years in the industry, Materialised understands the need to make the specification process as easy as possible for designers. Gabbert attests to this as an early specifier of AcoustiCalm.

“The Materialised acoustic panels were straightforward to understand in terms of its specifications, installation, and overall integration within the design,” she says. “The technical documentation provided clear guidelines for both material properties and installation methods, ensuring a seamless process from concept to execution.”

Render of AcoustiCalm Topography Swell panel by Materialised

Unlike some suppliers who outsource all production, Materialised digitally print in Sydney. This local on-demand capability translates to faster lead times, less wastage, and tighter quality control – an advantage that is particularly valuable in sectors like healthcare, education, hospitality, and workplace, where both time and performance matter.

“The experience with Materialised was excellent,” Gabbert says. “Their team demonstrated a high level of expertise and responsiveness throughout the design process. From the initial consultation to the final delivery, their collaborative approach ensured that all material choices were carefully considered and aligned with the project’s vision.”

Gabbert commends a “particularly seamless” sampling process. For any designers curious about AcoustiCalm, they can order a free sample pack here.

AcoustiCalm samples by Materialised

Lead image of AcoustiCalm Topography Desert acoustic panel by Materialised.