Despina Carpis Tsathas is one of Australian Design Review’s 30UNDER30 Interior and Product Designers for 2024/2025. In this Q&A, Carpis explains what it means to go beyond surface-level sustainability to design spaces with a deep and long-lasting connection to the earth. 

Australian Design Review: What guiding values drive you and what kind of impact do you hope to make through your work?

Despina Carpis Tsathas: I’m driven by values of sustainability, wellbeing and timeless design. I believe the spaces we create should not only minimise environmental impact, but actively contribute to human health and a deeper connection with nature. Thoughtful use of materials, a sensitivity to context and an emphasis on longevity are all essential in ensuring design is both responsible and meaningful.

Through my work, I hope to create environments that foster a sense of calm, belonging and harmony – spaces that enhance the way people live while respecting the natural world. I want to move beyond surface-level sustainability and embrace a more holistic approach, where architecture and design are integrated with ecological and social wellbeing. Ultimately, I aim to create places that stand the test of time, enrich lives and contribute positively to both communities and the planet.

25 King, Brisbane. Photo: Nicole England

ADR: If you could work with any designer, artist or other creative – living or dead – who would it be and why?

DCT: It would be Peter Zumthor. His approach to architecture goes beyond aesthetics; it’s about creating spaces that foster wellbeing and a deep connection to the environment. His work emphasises material authenticity, sensory experience and a profound respect for place, all of which align with the principles of sustainability.

Zumthor’s designs don’t just minimise environmental impact, they enhance human wellbeing by engaging with nature, natural light and local materials in a way that feels almost meditative. His philosophy of ‘thinking through making’ ensures buildings are crafted to last, resist trends and promote a more thoughtful, enduring approach to design. In a time when sustainability is often reduced to technical checklists, his work reminds us that true sustainability is about creating meaningful, lasting spaces that enrich both people and the planet.

25 King, Brisbane. Photo: Nicole England

ADR: How did it feel to make it into Australian Design Review’s 30UNDER30?

DCT: When I found out I was selected for ADR’s 30UNDER30, it was such a surreal moment. I felt a mix of excitement, gratitude and a little disbelief. More than anything, I felt honoured to be recognised alongside such talented designers who are pushing boundaries in the industry.

For me, this recognition is more than just an award; it’s an amazing opportunity to grow, learn and connect with mentors and like-minded peers. I’m excited to be part of a forward-thinking community that shares a passion for innovation, sustainability and the impact of design on wellbeing. I’m inspired by the idea of exchanging ideas, gaining new perspectives and reflecting on the kind of impact I want to make. 

I know this experience will push me creatively and challenge me to refine my approach. It’s a reminder of how important continuous learning and collaboration are in shaping the future of design. I can’t wait to embrace everything this opportunity has to offer and see where it takes me next.

25 King, Brisbane. Photo: Nicole England

ADR: What has been a highlight in your career so far?

DCT: A major milestone in my career was becoming a WELL Accredited Professional. The journey involved countless hours of study and preparation, making the challenging exam a true test of dedication. Earning the certification was incredibly rewarding, as it not only reinforced my commitment to sustainability in design but also strengthened my ability to create healthier, more efficient spaces. I was then able to apply this knowledge to Lendlease’s Brisbane office project, which had ambitious sustainability goals that perfectly aligned with my passion for wellbeing in the built environment. 

A highlight of this project was the opportunity to work with Blaklash, an Indigenous design consultancy based in Brisbane. Their invaluable insights helped embed a rich cultural narrative into the design, influencing everything from spatial planning to custom furniture. Inspired by Moreton Bay, the design honours the area’s natural and cultural significance. It was a great honour and learning experience to collaborate with them, as well as Hayden Crawford, Kellie Payne and Lucy Sutton, to create a space that connects to culture and community, while achieving our sustainability goals and maintaining a timeless and meaningful design outcome.

25 King, Brisbane. Photo: Nicole England

ADR: What do you enjoy doing in your spare time?

DCT: I love exploring my creativity through painting, sketching, or just experimenting with colours and textures. There’s something incredibly relaxing about letting go and allowing my imagination to guide me, without any pressure or expectation. It’s a great way to recharge and reconnect with my artistic side.

I also spend any spare time outdoors, as it’s my way of finding a sense of calm. Whether it’s going for a long walk in the park or just heading to the beach, I feel like I can completely relax and unwind in the fresh air. I feel it helps clear my mind and provides the perfect balance to the busyness of life. There’s something about being outdoors that grounds me and allows me to return to my daily routine with a refreshed perspective.

ADR’s 30UNDER30 Interior and Product Designers stream is brought to you by major sponsor Neolith, alongside Krost, Miele, Interface and Tongue & Groove.

The program is also supported by practice partners Arent&Pyke, BLP, BVN, Cera Stribley, COX Architecture, GroupGSA, Hassell, HDR, Richards Stanisich, Rothelowman, SJB and Williams Burton Leopardi. To find out more about the final 30, head to the winners page.